
2006.09.27 • 02:46 • 0 com
Great movie about mental disease and megalomania, and the true nature of art and the aesthetic experience, if we only look closer. Daniel Johnston's music is truly unique, although it is really really bad1. But it falls under that category that it is so bad, so bad, it is good. It has this adolescent-campy-weirdo attraction to it (not unlike Kevin Smith, blargh). But that's not all, it has a complete media-self-referential self-created life-story to it. I'm not saying I would buy or waste my time listening to it, but the movie sure got me to think a lot about me and my friends. We are just leaving the era of the superstar, the idols made by the last century's eletronic communication mediuns, which were corporate-made but mass-consumed. We are following the path to single-made, few-consumed. Daniel Johnston desires to be a genius — a great musician — and his religious fumblings, together with a bunch of weirdos that believed him, helped him become a small phenomenon which deserved him an impartial yet still morbid driven documentary. They also, it looks, made him waste much of his life, and if not directly led him to great suffering, for sure aggravated it.
In Porto Alegre it seems to me everybody strives so hard to be unique, even those who dwell in the lowest naivetes, and for sure are as common as they don't want to be, still have this underlying principle — ill formed or grotesque as may it be, but which is not different in quality from the true masters of making-themselves-a-myth, be it in quantity. This cannot be a restricted to Porto Alegre phenomenon, I must concede, and this sort of narcisistic orgy has its redeeming features, I presume. For one, conformity may be even worse.
But really, Daniel Johnston's had me watching his movie, and had me connecting everyone reading this to him. He sure doesn't mind the reasons; and in fact, I believe he would relish in understanding the workings of "selling your soul to the devil" as I'm sort of explaining here. He was willing to do anything to raise his head a little bit from the crowd; as was John Lennon's killer, by the way. He sacrificed his sanity and most of his life to be loved by crowds, and he got a movie. May we follow his saintlihood with a grain of salt. May we be less focused on bulshit, and strive for true love and fearlessness — not the eight wordly dharmas2. Amen.
Shares tags with: Aesthetic Conundrum (art, aesthetics); Jinruigaku nyumon: Erogotshi yori (Porto Alegre); Mouse in the Mountain (aesthetics);
1. ^ Of course, I wouldn't listen to it without an inclination towards morbid curiosity. If someones aesthetic criterion is made of such feeble traits, it is possible that he may enjoy the whole aura. But then, again, I would say that it is bad because the motives behind such liking are complex, that is, they depend on peculiar combinations of inclinations, those being called "morbid curiosity", and therefore being themselves distorted. That is, putting it mildly and simply: something one likes because he has bad taste.
2. ^ Obtaining pleasure, avoiding pain; Gaining, not losing; Becoming famous, not being forgotten; Being praised, not being criticized.

Funniest mindless movie of the last few years. McLovin is the best, and the other guys grew on me.
In his job he needs to undervalue the suffering of others in order to make more money. Then there’s the smell, the ass and the eye. The degree of objectification of desire is in direct proportion to the self-debasement of the indulger. By degrading the other, he nullifies himself. The very indifference to the overjealous ones, the suppressed recalcitrant losers of the world, is what causes their victims to exist. Great disturbing movie.
A lost science fiction PBS movie with Taoist undertones is a real find, right? A guy discovers his dreams change reality—when he wakes up he finds himself in a world where the content of his dreams have actually happened. He of course gets scared after a couple of nightmares, seeks relief in drugs, and then, because of them, is lead to a psychiatrist. 
Here's for all the sissy Apple lovers out there... This is the ultimate design for my old Duron, which faithfully downloaded well over one terabyte (mostly movies, 1300+) always on 24/7/365 over the last four years. It also runs Apache and is a file and printer server, as well as a router for my home network (with four, also damn old and beautiful computers). Sometimes I dust it off with a vacuum cleaner.
I really enjoyed 
I have read the article on
In imdb a user commented: "Annoying little transition into some sort of regurgitated independent film values finds this shallow project from Brad Silberling offering little and providing less in this embarrassingly exploitive work." I agree, yet it is still watchable — even more so if you understand how clichê is the fabricated spontaneity in it. It is as if independent movie has aquired its own hollywood-like formulaicism. So it kind of becomes an interestingly consumated aesthetic portrail of so many cult-status fabricated stylishness examples we see around. Many people liked 






