
2007.04.20 • 07:31 • 0 com
I'm not sure what Kierkegaard meant by "Irony being infinite absolute negativity". I can understand that irony gives an insight through explicitly denying it, but it seems to me it shows something. On the other hand, really good irony may really rest on aporia, and this may pertain to the idea of absense or negativity.I have only read this one amongst Søren Kierkegaard's works, and when I read about him, I seem to disagree. But here he really seems to point out sort of a Guru Yoga approach on philosophy, since Socrates personality (and to a lesser extent his life history) is taken as the philosophical fact par excellence.
Of course "The Clouds" is the best record about Socrates, it baffles me it is taken to be ironic Kierkegaard saying so.
Shares tags with: Right to Lie (Kierkegaard);

Funniest mindless movie of the last few years. McLovin is the best, and the other guys grew on me.
In his job he needs to undervalue the suffering of others in order to make more money. Then there’s the smell, the ass and the eye. The degree of objectification of desire is in direct proportion to the self-debasement of the indulger. By degrading the other, he nullifies himself. The very indifference to the overjealous ones, the suppressed recalcitrant losers of the world, is what causes their victims to exist. Great disturbing movie.
A lost science fiction PBS movie with Taoist undertones is a real find, right? A guy discovers his dreams change reality—when he wakes up he finds himself in a world where the content of his dreams have actually happened. He of course gets scared after a couple of nightmares, seeks relief in drugs, and then, because of them, is lead to a psychiatrist. 
Here's for all the sissy Apple lovers out there... This is the ultimate design for my old Duron, which faithfully downloaded well over one terabyte (mostly movies, 1300+) always on 24/7/365 over the last four years. It also runs Apache and is a file and printer server, as well as a router for my home network (with four, also damn old and beautiful computers). Sometimes I dust it off with a vacuum cleaner.
I really enjoyed 
I have read the article on
In imdb a user commented: "Annoying little transition into some sort of regurgitated independent film values finds this shallow project from Brad Silberling offering little and providing less in this embarrassingly exploitive work." I agree, yet it is still watchable — even more so if you understand how clichê is the fabricated spontaneity in it. It is as if independent movie has aquired its own hollywood-like formulaicism. So it kind of becomes an interestingly consumated aesthetic portrail of so many cult-status fabricated stylishness examples we see around. Many people liked 





