
2006.12.21 • 01:55 • 0 com

Maybe I'm just getting to old and square, but most drug jokes were lost on me. Don't get me wrong: Robert Downey Jr. and Woody Harrelson really steal the movie. Nobody can stand Keanu Reeves these days, but his lack of expression fits a drug addict, so it kinda works. It was maybe a hint of drug glamorization that turned me off — but it is also a good anti-drug advertisement, so both null each other in the end.
The story is K. Dick in maybe what is his most characteristic: utter ubiquitous uncertainty. It is possible to understand the fascination around mental illness and drugs when you get a glimpse of the gimmicks reality throws on troubled people. It is a morbid fascination around the very core of spiritual entrapment.
Dissociation is the main feature of the keydickesque narration. The idea seems to be something like "let's show the reader how it is to really not be sure about oneself". Bob Arctor is a undercover narcotics agent who discovers he is investigating himself, but is he a bad guy? He is not sure, and all the drugs don't seem to help.
K. Dick is really good on metaphysical fun and games, but he is best in social criticism. Up to now only Blade Runner deals with this aspect — and is quite good on the metaphysical and existential ones also. This is one is sort of fun (for those who are "experienced" at least, for others it won't make much sense), and the movie is a great adaptation, but, as I said, leaves no lasting impression.
Also in movies: Superbad • Das Boot • O Cheiro do Ralo • The Lathe of Heaven • Skammen • Sakura no mori no mankai no shita • O Ano em que meus Pais Saíram de Férias • The Fountain • Goh-hime • 10 Items or Less • Half Nelson • Hoffman • Silver Streak • F for Fake • Stranger than Fiction • Mulholland Dr • Scoop • Brazil • Stay • Film Geek • The Trial • Rikyu • Kuroi Ame • Tanin no kao • Don't Come Knocking • Jinruigaku nyumon: Erogotshi yori • Where the Truth Lies • Stalker • Tibet: Cry of the Snow Lion • Jesus Christ Superstar • Lila dit Ça • How to Get Ahead in Advertising • Equus • My Sassy Girl • Mysterious Skin • Bewitched • Dead Men Don't Wear Plaid • They Live • La Joven • Peeping Tom • Buono, il brutto, il cattivo, Il • What the #$*! Do We (K)now!? • Glen or Glenda • Casa de Areia • Melinda and Melinda • sci-fi: The Lathe of Heaven • ... and nothing hurt • Brazil • Stalker • They Live
Shares tags with: Back to Bedlam (drugs);

Funniest mindless movie of the last few years. McLovin is the best, and the other guys grew on me.
In his job he needs to undervalue the suffering of others in order to make more money. Then there’s the smell, the ass and the eye. The degree of objectification of desire is in direct proportion to the self-debasement of the indulger. By degrading the other, he nullifies himself. The very indifference to the overjealous ones, the suppressed recalcitrant losers of the world, is what causes their victims to exist. Great disturbing movie.
A lost science fiction PBS movie with Taoist undertones is a real find, right? A guy discovers his dreams change reality—when he wakes up he finds himself in a world where the content of his dreams have actually happened. He of course gets scared after a couple of nightmares, seeks relief in drugs, and then, because of them, is lead to a psychiatrist. 
Here's for all the sissy Apple lovers out there... This is the ultimate design for my old Duron, which faithfully downloaded well over one terabyte (mostly movies, 1300+) always on 24/7/365 over the last four years. It also runs Apache and is a file and printer server, as well as a router for my home network (with four, also damn old and beautiful computers). Sometimes I dust it off with a vacuum cleaner.
I really enjoyed 
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In imdb a user commented: "Annoying little transition into some sort of regurgitated independent film values finds this shallow project from Brad Silberling offering little and providing less in this embarrassingly exploitive work." I agree, yet it is still watchable — even more so if you understand how clichê is the fabricated spontaneity in it. It is as if independent movie has aquired its own hollywood-like formulaicism. So it kind of becomes an interestingly consumated aesthetic portrail of so many cult-status fabricated stylishness examples we see around. Many people liked 





