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Superbad at IMDb
Funniest mindless movie of the last few years. McLovin is the best, and the other guys grew on me. Michael Cera must go and do some Woddy Allen or Charlie Kaufman stuff; he was great at Arrested Development, and is quite enjoyable at Juno and this movie.
O Cheiro do Ralo at IMDb
In his job he needs to undervalue the suffering of others in order to make more money. Then there’s the smell, the ass and the eye. The degree of objectification of desire is in direct proportion to the self-debasement of the indulger. By degrading the other, he nullifies himself. The very indifference to the overjealous ones, the suppressed recalcitrant losers of the world, is what causes their victims to exist. Great disturbing movie.
The Lathe of Heaven (book) The Lathe of Heaven (1980) at IMDb Deep review on Lathe of Heaven (the movie)
A lost science fiction PBS movie with Taoist undertones is a real find, right? A guy discovers his dreams change reality—when he wakes up he finds himself in a world where the content of his dreams have actually happened. He of course gets scared after a couple of nightmares, seeks relief in drugs, and then, because of them, is lead to a psychiatrist.

It happens the psychiatrist is a positivist type. When finally he gets convinced the guy dreams things that actually do happen, he decides to find a way to control the dreams of his patient to better the world… so easy to see where this leads, right? People should really get into Taoism before discussing politics, sometimes I dream. Well, may this never happen as I wish.

“To let understanding stop at what cannot be understood is a high attainment. Those who cannot do it will be destroyed on the lathe of heaven.”Chuang Tzu
Here's for all the sissy Apple lovers out there... This is the ultimate design for my old Duron, which faithfully downloaded well over one terabyte (mostly movies, 1300+) always on 24/7/365 over the last four years. It also runs Apache and is a file and printer server, as well as a router for my home network (with four, also damn old and beautiful computers). Sometimes I dust it off with a vacuum cleaner.
The Fountain
The Fountain: No-CGI, Cabala, Mogway — not good enough.I really enjoyed Requiem for a Dream, and PI was quite interesting. I may grow to like this one, but for now it just seemed a little too newagy to my tastes. It started a bit boring and I never quite empathized with the characters. On the other hand, some of the visuals (and sounds — by Mogway) are quite appealing (no CGI!), and near the end we have some surprises. Actually, some interpretations may not be that newagy — but pretentiousness still abounds.
Zazen: just sitting.I have read the article on “ditching Buddhism” by John Horgan about one or two years ago and I have found it to be as so filled up with misconceptions as not to be worthy even of bad publicity, yet last week somebody remembered me about it and I decided to answer some of its points.
10 Item or Less
In imdb a user commented: "Annoying little transition into some sort of regurgitated independent film values finds this shallow project from Brad Silberling offering little and providing less in this embarrassingly exploitive work." I agree, yet it is still watchable — even more so if you understand how clichê is the fabricated spontaneity in it. It is as if independent movie has aquired its own hollywood-like formulaicism. So it kind of becomes an interestingly consumated aesthetic portrail of so many cult-status fabricated stylishness examples we see around. Many people liked Me and You and Everyone We Know, and it is surely a much fresher and pure attempt, but "10 Items or Less" explains all the little (but very much present) annoyances I got with "Me and You..."
I'm not sure what Kierkegaard meant by "Irony being infinite absolute negativity". I can understand that irony gives an insight through explicitly denying it, but it seems to me it shows something. On the other hand, really good irony may really rest on aporia, and this may pertain to the idea of absense or negativity.

I have only read this one amongst Søren Kierkegaard's works, and when I read about him, I seem to disagree. But here he really seems to point out sort of a Guru Yoga approach on philosophy, since Socrates personality (and to a lesser extent his life history) is taken as the philosophical fact par excellence.

Of course "The Clouds" is the best record about Socrates, it baffles me it is taken to be ironic Kierkegaard saying so.
Is there possibility of a subject-independent particular?1 In order to answer this question, first we should determine that if we are dealing with what is separate from an observer, we already are trespassing some metaphysical matters. Since I don't believe metaphysics is possible in any sense, for me to talk about these matters is just a thought experiment.

So lets suppose reality (independent from the observer) not only is possible2, but is the case. In this situation, we have an Aristotelian world, with objects and their features. Let's suppose one of those features is colour, and the colour of the particular object we are dealing with is yellow.

Philosophers are still fond of such positions, since they not only are in agreement with our common-sense "this shirt is red"3 but they are in agreement with the structure of our language. There is a big trend in philosophy these days — ironically excentrical in itself — that produces a metaphysics based entirely in common-sense and language structures! Of course, since all over history people have tried to be original, nothing more original than being common. So the color dispute is today much less inclined to those crazy scientists and much more inclined to my aristotelian grandmother. But I sense this is just aesthetics, because physics is so cheesy these days — nobody would want to talk about quantum interconectedness and metaphysics, it is almost the same as talking about piramids or the shroud of Turin.

Well, enough of Schoppenhaurean rantings, back to some argument.

So we have this independent yellow thing outside our possibilities of perception. We maybe have the light of the sun (or some standardized source) and that particular quality stands there, unexamined and unexaminable. So why do we call this "yellow"?

Does the frequency matches that of our observation? Even if we could not measure it, it could certainly be the case that it matches — but is this enough to call it "yellow"?. Maybe the language of God has left the word "yellow" for a configuration of things, but in this case he would be a kind of observer also (even creation would entail some private kind of yellowness). In Japan and China, blue and green are different shades of blue, and although for us brown/red and yellow/orange seem different colors, for Russians there are different words for light or dark blue. Shades or colours?

It seems that some animals such as tropical fishes, have 5 colour receptors in their eyes, humans have 3. We see a range a frequency that was stabilished by evolution, so basically we see colours that were important for survival. So if we don't have a hard circunstance-observer dependent colour, how could we decide names for our colours represent properties of things?

What sense is to talk about "yellow" with an extraterrestrial that had a different sun and atmosphere, and perhaps a completely different frequency-range of vision? We could say to this fellow that we believe some object has by itself some specific thing that ordinarily we can see, but he can't. Then we would say that we could never see this property of the thing itself ourselves, but we believe it is a possibility! "It may have some property you can't understand and I can't see, that's all I'm saying, believe me". Of course, possibilities abound: since I don't know what lies in the borders of space, it may as well be a giant turtle. I can't prove this is impossible, but "borders of space" are a little queer, and so all metaphysics.

If we come to private language and modern so-called "externality", put some qualia in the mix and loose all metaphysical assumptions, then it starts to make sense to talk beyond ideas such as realism and idealism, which are basically only some 18th century novelties (or much older in the case of realism). Of course, nobody knows for sure what those things imply to philosophers, since the idea of the impossibility of a private language seems to make impossible any of the common constructions of philosophers. How can we talk about underlying structures or transcendental concepts if there is no priviledged point-of-view that can tell others about how things really are? Rules of communication such as the required to estabilish what means "colour"4 and what a particular colour is are not defined by relation to discrete and separate entities such as "phenomena", "understanding" or "thing-in-itself". This rules form a game in which participants engage, and have nothing to do with explanations or telling how things truly are.

As Wittgenstein puts it:
“The essential thing about private experience is really not that each person possesses his own exemplar, but that nobody knows whether other people also have this or something else. The assumption would thus be possible - though unverifiable - that one section of mankind had one sensation of red and another section another.”Wittgenstein
Philosophical Investigations §272

To even talk about the possibility of "red" outside these games is to make a Monty Python sketch out of philosophy. Well, that's what most philosophy turns to be anyway.
The guy just wanted a good definition of number, and then that vicious Russell came and destroyed everything.

But anyway, when you check that he started the definition of number by the number zero you see he was insane. This is probably the most difficult one to define.

In it's definition you see the paradox already — at least if you don't give a clear definition of class.

"The class of all objects that aren't equal to themselves"5, this is zero. But then, if this class is equal to itself, it isn't, and if it isn't, it is. Poor Frege. Then Russell suggested that classes are not objects or something like that, and Plato got sad6.

Moral: Logicians are obsessive-compulsive.
1. ^ By "particular" we mean actually anything, since to qualify the thing-in-itself even as a thing — transcendental that it may be — is to create a separate, particular in some sense.
2. ^ I think I could concede its possibility, but not its knowledge. If I were to hold a strict Prasangika Madhyamika argument, I wouldn't even deny the existence of some kind of essence of phenomena, since a purely transcendental discourse is impossible, and contradiction would necessarily entail if I were to hold any metaphysical position.
3. ^ And not "I proclaim this shirt red because photons of a determined frequency excite electrons of determined molecules that release other photons that reach my retina, and I learned to call such impressions that fall within this range frequency 'red'".
4. ^ And which lies at the center of this argument, since if colour is defined as a subject-dependent feature — as it seems to work well with observation — it is necessary to postulate a different nature for "colour by itself". But where is the right to call this "colour"?
5. ^ This is maybe Frege's fifth axiom of the Grundegesetze der Arithmetik, but I don't know for sure and will never know probably. I'm still not sure if this has anything to do with the definition of zero in particular.
6. ^ "Oh no! Everything must be a thing!" Poor Plato.
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dharma centers
This is a list of good and reliable dharma teachers and places.

Chagdud Gonpa, pure lineage holders of the highest teachings of Vajrayana.

Chagdud Rinpoche, his compassion, courage and strenght will never cease to amaze us.

Siddharta's Intent, organization connected with the maverick dharma teacher Dzongsar Jamyang Khyentse Rinpoche.

Lama Tsering, Lama Tsering Everest, intense and kind dharma teacher.

Caminho do Meio, NGO and Buddhist community founded by Lama Padma Samten, great meditator, physicist and popular dharma teacher. (in portuguese)

Alan Wallace, gentle scholar and meditation teacher.

Tokuda Igarashi, great zen master, his humbleness and erudition are insurpassable.

Dharma Centre, Directed by Ji Do Poep Sa Nin, kind and puzzling south-african teacher of koan.

There's also a Yahoogroup on Buddhism (in portuguese), bodisatva.
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